History is not always kind to great games. Titles once heralded as
masterworks are often lost as console cycles turn. Alternatively, there
are the offbeat outliers completely shunned during their own lifetimes,
only to be quietly ransacked by later generations of designers.
Over the next three days, we'll be remembering 30 brilliant,
idiosyncratic, challenging or just plain weird titles that have been
erased from the gaming annals, or at least criminally overlooked. Each
one of these did something interesting with gaming, but not interesting
enough to be endlessly recalled in misty-eyed retro articles or on Charlie Brooker-fronted TV shows (which are otherwise excellent and include really great interviewees).
Here then are the first ten. Come back for the others, and add your own favourites in the comments section.
3D Deathchase (Micromega, ZX Spectrum, 1983)
Public domain
Written by lone coder Mervyn Estcourt (who also produced a PC remake
almost 20 years later), this remarkably progressive 3D chase game gets
the player to ride a futuristic motorbike through dense woodland,
attempting to track down and shoot enemy riders. The first-person view
and smooth sensation of movement were astonishing at the time
(especially considering it ran on the older 16k Spectrum), and it no
doubt prepared the way for future variations on the free-roaming driving
game.
Aliens: The Computer Game (Software Studios/Electric Dreams Software, C64/Spectrum, 1986)
Public domain
Activision developed a higher profile tie-in with the movie, but this
version is far superior and has lasting significance in game design
terms. It's essentially a prototype first-person shooter, complete with
moveable targeting reticule. Players have to guide six of the film's
characters through the colony base, toward the queen's lair. Although
movement is essentially limited to left and right (firing at doors lets
you pass through them), the action is tense, and the importance of quick
accurate aiming hints at the FPS genre to come. There's also a
brilliantly unsettling take on the movie's motion tracker sound effect
that ramps up the scare factor considerably. And when the face huggers
leap at you it is TERRIFYING.
Alter Ego (Activision, C64/PC/Apple II, 1986)
Public domain
Designed by psychologist Peter Favaro and released by Activision,
this fascinating life simulation gave players control over either a male
of female character as they progressed from childhood to grave.
Designed around a series of key decision points, the mostly text-led
experience was based on hundreds of interviews conducted by Favaro, and
was hugely critically acclaimed at the time. Alongside David Crane's
Little Computer People it laid the groundwork for modern era 'virtual
soap opera' The Sims. Alas, the sparse presentation and offbeat concept
meant that the sim sold poorly and a proposed sequel, based around
rearing a child, was scrapped. You can play the original game online.
Astal (Sega, Sega Saturn, 1995)
Public domain
Golden Axe, Streets of Rage, Altered Beast... Plenty of Sega's
classic side-scrolling beat-'em-ups have gone on to become legends of
the genre. But somehow this beautiful early Saturn release has been
over-looked, perhaps thanks to the console's untimely demise. Banished
from Earth by an angry goddess, the eponymous hero must return to rescue
the girl he loves. Okay, forget the horribly trite story and revel in
the gorgeous hand-drawn artwork and interesting attacks, which allow
Astal to blow his enemies over or wrench trees out of the ground to
chuck at them. There's also an innovative but tricky co-op mode which
puts player two into the role of Astal's bird sidekick. Watch this playthrough for a taste of the wonderful character and landscape designs.
Bioforge (EA/Origin, PC, 1995)
Public domain
The 'interactive movie' genre of the mid-nineties brought us plenty
of nightmarishly unplayable dross as game developers fell in love with
the idea of using full-motion-video to create, ugh, 'cinematic'
experiences. But there were some fascinating examples, too, like this
cyberpunk adventure, set on a moon base governed by religious maniacs
who believe man must evolve toward a machine hybrid state. The player
awakens as a cyborg and must escape the lab, piecing together the plot
from PDA diary entries and using security and computer equipment to hack
defenses. Elements of Deus Ex, Bioshock and Dead Space all combined to
create a tense and interesting adventure. It was so expensive to
produce, however, that low sales ensured a planned sequel never arrived.
Edge later published an excellent 'Making of' feature.
Bust A Groove (Enix/Metro Graphics, PlayStation, 1998)
Public domain
This formative rhythm action game allowed players to pull ridiculous
disco moves by following onscreen direction prompts, in a similar manner
to Sony's revered PaRappa The Rapper. The difference here was the
head-to-head competitive dance fighting element, which allowed players
to knock each other off the beat with special moves. featuring an
excellent old school electronica soundtrack, bizarre characters and
super-smooth animation, the title helped build the 'post-pub gaming'
credentials of the PlayStation, and spawned a sequel. But then Konami's
all-conquering Dance Dance Revolution strutted in and kicked it from the
dance floor.
ChuChu Rocket (Sega/Sonic Team, Dreamcast, 1999)
PR
How this frenetic combination of Pac Man, Bomberman, Lemmings and
Hungry Hippos failed to become a continually updated gaming staple is
beyond us. Designed by Sonic co-creator Yuji Naka its a fast-paced maze
puzzler in which players have to place arrows on the floor to direct a
line of mice into rockets so they can escape the giant cats. In the
four-player mode, participants can also use arrows to direct the feline
enemies toward competitors, making for fraught, hugely tense encounters.
Given away free to European Dreamcast owners, the game would later
surface on GameBoy Advance and iPhone but should – if there were a whiff
of justice in the universe – be on every single console released from
1999 to the end of time.
Devil Dice (Sony/Shift, PlayStation, 1998)
Public domain
A modest success on its release and followed by two sequels, this
ingenious puzzler was briefly revered, but has somehow slipped from
wider memory. Players must navigate a grid by stepping on and turning
dice cubes – when the numbers match between two adjacent cubes, they
disappear. It's sort of a numerical match-three puzzle, bringing in some
of the deeper mathematical reasoning of Area/Code's masterful iPhone
title Drop 7. Originally created using Sony's home programmable console,
the Net Yaroze, it was one of the few 'homebrew' titles to see release
on the PlayStation.
PR
Resident Evil 4 wasn't the only standout survival horror experience
on Nintendo's under-rated GameCube system. Developed by Canadian studio
Silicon Knights and originally meant for the N64, Eternal Darkness is a
fascinating Lovecraftian romp following student Alexandria Roivas as she
investigates a book known as the Tome of Eternal Darkness. The powerful
artifact provides a portal to a selection of previous lives, all of
which must be experienced by the player in order to prevent an ancient
evil from re-surfacing. The narrative and locations are creepy and
unsettling, but the best part is the sanity meter which drops when you
encounter enemies, causing visual disturbances and even tricking you
into believing your TV has broken. Critically acclaimed, but with its
mature rating, Nintendo fans weren't quite sure what to make of it. A
proposed sequel never materialised, despite Nintendo renewing the
trademark as recently as 2012. Meanwhile, many of the original
development team went on to form Precursor Games and planned a spiritual successor named Shadow of the Eternals which sadly failed to hit its crowdfunding target last year.
PR
On a break from the highly successful Hitman series, Danish studio IO
Interactive launched this innovative third-person squad-based shooter,
getting to the whole America-invaded-by-Communists plotline years before
Call of Duty. You play as a regular Joe running round New York taking
on Russian troops – and the more you kill, the more your 'Charisma
rating' goes up allowing you to recruit followers. That's right, it's
Homefront meets Twitter. Great controls and smooth squad commands
ensured a thrilling yet surprisingly tactical experience. Maddeningly,
it seems a proposed sequel was put on indefinite hold so that the studio
could work on... Kane & Lynch. Wha... why?!! Anyway, Eurogamer has a
nice retrospective on the game right here.
